What makes great copy great? How do copywriters turn words on a page into a powerful copywriting message?
The answer is knowledge.
They know how to write copy that works.
And now, with this guide, so will you.
A while back, I stumbled across the following advertisement:
“Pina coladas are fresh. Your marketing isn’t.”
Which is an awful ad, but it got me thinking.
Comparisons are one of the most used tactics in copywriting. Take A, compare it to B, and voila! You’ve got copy.
So I figured I’d lay down the ground rules for what makes a great comparison—and what makes an absolutely awful one.
The setup is simple.
A family—mother, father and daughter—sit around a dinner table. The father reaches over and pushes a plate of broccoli to his daughter.
“Just have one broccoli.”
The daughter pushes it away.
A shove of war begins between father and daughter.
And then a stranger walks in; a woman in a red dress.
“The solution is here,” she says to the camera.
As any blogger will tell you, it takes a lot to make a blog successful.
You have to offer value. You have to be informative. You have to be a touch unique.
And you have to be consistent.
Your readers need to know what to expect.
And as any blogger will tell you, going completely silent for two months is hands down not a recipe for success.
Only . . . that’s exactly what I did.
It’s happened to you before.
You’re talking to a client, explaining them how to do something, when they cut you off with a, “Yeah, yeah, I hear ya. But how about we try it this way.”
You close your eyes, grit your teeth. Outwardly, if you’re talking on the phone—inwardly if in person. As calmly as you can, you explain that you appreciate their input, but you’ve been doing this a long time. You’ve weighed the different options, and the way you’ve suggested is the best one.
Left unsaid—what you really wish you could say—is why on earth are you always stuck dealing with people who know nothing about copywriting.
Every so often, I look back over the last few years and see how far I’ve come.
From the days when I knew nothing about copywriting and just fumbled my way through some early projects without much clue as to what I was doing.
I didn’t get everything wrong in those early days. My instincts were usually correct, and I’ve been writing since I was a kid.
But I did get a lot of it wrong.
And when I think about how I was able to grow so much in such a short period of time, I realize it’s really due to one thing.
It’s copywriting 101:
Nobody wants to hear you talking about yourself.
They want to know what’s in it for them.
Even entry-level copywriters swiftly learn the importance of stressing benefits over features. Instead of talking about what your product does, you talk about how it can help your customer. What pain does it alleviate? How does it make life easier for them?
It’s a simple tactic, but it’s powerfully effective.
It’s also grossly misunderstood.
A lifetime ago, I sat in a career counselor’s office, explaining why I couldn’t imagine a job I would succeed at. I had no skills, I explained. I knew nothing about anything.
The counselor asked me to prove it. “List your skills,” he urged me.
I shrugged. “Very well,” I replied. I was intelligent. I was analytical. I was reasonably organized. I knew how to be patient and how to listen. But so was everybody else. I only had general skills; I didn’t know anything specific.
The counselor shook his head. Those skills, he said, that I had so derisively labeled as general skills—those were the most important skills I could ever learn. Anything else—marketing, design, data entry—were simply extra skills that I could learn.
But all the skills in the world wouldn’t get me anywhere if I didn’t have the basics.
Copywriting is a pretty broad field. It includes blogging, newsletters, social media, articles, emails, advertising, even screenwriting—but for my first year as a full-time copywriter, all I did was write product descriptions.
I’ve already written about my initial frustration with that job, and how I eventually came to see it as an opportunity to develop my writing voice, test new techniques, and fine-tune my style.
In this post, I’d like to share the 9 tactics I learned that guided my approach to writing product descriptions over that year—with some examples.
Here we go.
You’re browsing for books on Amazon and hit the Look Inside button. How long do you give an sample before you move onto the next selection? Ten pages? Five? One?
In bygone days of traditional publishing, many authors thought it was downright unfair for an agent or editor to reject a submission after reading only five or ten pages. They didn’t realize most manuscripts are like digging in a dumpster—it rarely gets better as you go deeper.
Today, I suspect we’re lucky if a browser reads more than the first page. We must hook them in seconds. Given the choice between a great story that glides like ice cream over the tongue, or a great story with bits of nut shells to spit out, guess which one the reader will pick.
Here are ten self-editing tips so readers will glide through your prose straight to the Buy Now button:
Eli Landes is one of those weird writers who just can't get enough. A marketing writer by day and a fiction writer whenever he can squeeze in the time, he spends his spare time working on his novel, writing short fiction, or daydreaming (I mean, researching). His main genre is Jewish fiction, but he's been known to dabble in the weird, the absurd, and the truly dark.
Eli landes (the dude whose blog you're reading right now) is a marketing copywriter by day and a fiction writer whenever he can squeeze in the time. He's gotten pretty good at it, and has decided to share his "wisdom." Sigh. I guess they let everyone do this these days.
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